Another short excerpt from “Max Dix, Zero to Six”. The first half of this scene (Garden Scene) was posted last Wednesday. See this if only for the monologue on watching orientals on TV eat monkey brains…
Click HERE TO SEE THE MONKEY BRAINS SCENE.
Here’s some stills from this video excerpt:
The elderly man describes what he sees on the tv screen:
Close-up, fascinated by what he sees:
Less fascinated…
Here comes the moment when they lift the skull from the monkey’s head….
Pop!
Disgust begins to seep into the characters….
Max is told what he has learned.
Imparting more wisdom for Max to guide his life by…
Last words of wisdom into the dark….
Posts Tagged ‘Verulam award’
Video – The beginning of Max Dix, Zero to Six, excerpt from the staged play
Wednesday, May 5th, 2010Another short segment from my play, “Max Dix, Zero to Six”. It can only give a taste of the feel for the production. It is the very beginning of the play….
Click HERE TO SEE BEGINNING
Some stills from this excerpt:
Video – Max Dix, Zero to Six, “The War in the Living room”, excerpt from the staged play
Thursday, April 22nd, 2010Another short segment from my play, “Max Dix, Zero to Six”. It can only give a taste of the use of video work with actors. This concerns two brothers (as children) listening to their parents fight in the next room. Then the father leaves….
Here’s the link to the video.
Here’s another segment: The Soap Opera Scene.
Here’s some stills extracted from the video:
Hope you enjoy. Thanks for visiting.
Max Dix, Zero to Six, video clip, The Soap Opera Scene
Wednesday, March 31st, 2010
In 2008, I wrote and directed a play that went on to win a couple of national and international writing awards called Max Dix, Zero to Dix. A modest video was made out of two performances, and I’ve taken the decision to start posting some snippets and scenes of it.
The quality of the videos does not live up to the quality of the acting, but I hope generous viewers will be forgiving. The video was shot over two separate evenings in front of an audience during its run in Brussels, and sometimes the lighting, the cuts, the grainy images, aren’t all they could be. Yet the videos will certainly give a taste, and one hopes, pleasure, in what was presented.
I haven’t spoken at length about this play because there hasn’t been a need or an urge, but perhaps in time, and with interest.
CLICK HERE TO GO TO THE VIDEO