Posts Tagged ‘Vincent Eaton’

Launching of “Brussegem, a snug hell”

Wednesday, November 17th, 2010




This is my new novel. I’m launching. After delays and editorial and design fine-tunings. At this point, I’m indulging in low level yippee and push. Here’s the basic description of its contents:


Brussegem is both a place and a person. But mainly it is a painter. A fully dedicated and fairly isolated American painter living in Europe whose creed is art, and only art.


Until Veronica Weise, the wife of another, seeks his attention, companionship, something artistic, and, if possible, something wild.


But then there’s her baby. And that cat.


The struggle between art and domesticity begins, between an artist who does not want to fall in love, and a woman who does.



For the next few weeks I’ll be doing this:
— On Sunday evenings/Monday mornings, I’ll release an audio clip of the book, for you iPod people (so you can listen to it on your way to work, or start off your week Right!).
— On Wednesday, publishing news/video/info, like today’s post.
— On Friday, the first chapters of the book in pdf files so you can taste it, and, if you like it, buy it.


I’ll start “selling” then, i.e. let you know how to get it in different formats.


I don’t know if this is the ultimate soft selling or non-selling, but it’s my way of getting the word out without raising my voice.


Oh, really, at bottom, my novel is a love story, or rather, a story about love. (I can write my books, but can’t blurb them to simplification death.)


Thanks for reading. More on Friday. — Vincent

Audio clip, Part One, 1: Brussegem, a snug hell, read by the author

Monday, November 15th, 2010





This is the official beginning of launching my short novel “Brussegem, a snug hell”.


I’ll have more info, background, wowie-zowie stuff come Wednesday, but for now, here’s the beginning of my audio book on this novel–soon to be on sale!–if you care yo have a listen. I’ll be posting audio from the first chapters over the next few months.


CLICK HERE:
Brussegem, a snug hell, audio book, Part One, Chapter One


Thanks for listening, reading, being. -Vincent

Max Dix, zero to six: the Car Trip Scene

Friday, November 12th, 2010



This is the next to last Max Dix play excerpt that I’m posting. I wrote/directed this a couple of years ago; it won some awards. I’ve just signed a contract with an agency (NODA) to have Max Dix represented throughout the UK.


This scene is about a mom with her two sons driving and driving, leaving behind the bad memories and home after the father has left them. The kid Max has a nice monologue.


CLICK HERE TO VIEW THE VIDEO OF THE CAR TRIP SCENE


Here are some photos from the scene:



















Here are the previous videos I have put online, with massive gaps, in the order that they appeared in the play:


Beginning of Play


The Soap Opera Scene


War in the Living Room


The Garden Scene


Monkey Brains Scene

Connotation Press publishes my Creative Nonfiction piece “The Newspaper Shop”

Tuesday, November 9th, 2010




Connotation Press, an online magazine, selected a personal essay of mine, concerning a time in the early eighties when I worked in a magazine shop. It’s under their creative nonfiction column this month.


Click here for a direct link to my piece.


Click here to to the editor’s comments for this November issue.


Click to link to the Amazon book page of the editor who selected my piece, Robert Clark Young.


This piece will find itself into my personal essay/creative nonfiction collection, “Intimate Details & Bodily Functions” which is 80% done, but will probably only see the publishing light of day in 2012.


Thanks for your interest. — Vincent

VIDEO – Madre

Tuesday, October 26th, 2010




Monólogo. El hijo adulto visita a la MADRE en coma.
(MADRE VIDEO)


Para ver la versión original de este monólogo con el mismo actor: Eduardo Aladro-Vico.


A monologue in Spanish. A grown son makes a bedside visit to his comatose mother. MADRE VIDEO LINK


To view the original English version of this monologue with the same actor: Eduardo Aladro-Vico.













My two published novels from 2009 are now available on Kindle

Thursday, July 29th, 2010




It’s taken a while but I have my two books up and running as Kindle eboooks, via Amazon, of course.


You can find the “link to Self-Portrait of Someone Else” here.



You can find the link “How to Find Yourself (or a reasonable facsimile)” here.



Pricing is $2.99 from Amazon.com.
(Should insert “What a deal!” and other exclamation marks here.)


Purchasing these outside the USA will be higher than my stated price, as Amazon adds some suspect transfer fees, and as we know, it’s oh so much more expensive to download files in the USA compared to, say, Canada or Belgium. There’s little I can do about it currently, because at this point, it’s Amazon’s way or the highway. It will no doubt remain this way until Amazon, slowly but surely, gets its act together as Kindle distribution centers are established in the rest of world. *see below


Note: my base price stays of $2.99 is the same, no matter what you are charged.


Anyway, if you have a Kindle, you can get my books and have a happier summer, a more expansive life and all in all general all-purpose beatific experiences….


Thanks for reading.


* (Update Aug.6, 2010) I believe I was wrong when I first posted this. I just ran into this:
“…in most EU countries, taxes on e-books are double the taxes on p-books, thanks to a rather bizarre ruling of the European Commission, which decided that the supply of a “book on any physical support comes under supply of goods, whereas the downloading of an e-book is defined as a supply of services. Therefore different VAT rates apply.” This quite clearly means that according to EU bureaucrats, taxation on books should be lower, because they are printed on paper or stored on a DVD, and not because the book is a repository of culture and knowledge. Or to go one step further in this line of reasoning, for European bureaucrats the novels read on paper are culture, but the ones read on Kindle are not. I’m sure Marshall McLuhan would love this way of reasoning as it shows that European bureaucrats are true believers of his dictum that “the medium is the message”. However, in the context of the e-book trade, this puts European e-booksellers in a more difficult position than their American counterparts as they are burdened with higher taxes. “
Link to this article.

1/5 – Rejection Letter—Grafton Books

Friday, July 23rd, 2010



Writers are always rejected, or their manuscripts are. This comes under the heading of, Things As They Are. The rejection does not stop, and oddly apologies rarely follow.



Way back when my first novel, “Self-Portrait of Someone Else”, was published by Viking-Penguin, New York, my literary agent at that time, Peter Lampack Literary Agency, set out to sell this self-same manuscript to a number of publishers based in the United Kingdom. It was the next step in my conquering the world.


As the refusals full of praise and regret came in, copies of the letters were kindly forwarded to me. To give equal measures of hope and despair, as these letters contained some of the best reviews/comments this novel ever received.



Now, with the novel re-issued under my own imprint, hidden people limited, I thought, in the interests of writerly retro-masochism and in a spirit of fun, I could construct some short videos around five of the rejection letters.


This first one I’m releasing was from Grafton Books. This editor thought I had a heck of future ahead of me. Well, twenty years later, my future came and went and I gave it a friendly wave at it as it passed by. Today my publishing future is pinging about on a different level of hustle and gumption.


If you want to read the actual letter, I put it into a pdf file and it is right here: Grafton Book Rejection Letter



Here’s THE VIDEO LINK! Enjoy. Leave comments on this site just below, or on the YouTube channel.


Thanks for reading.


Oh, and if you never saw my original launch video for this book, CLICK HERE TO VIEW, or the video where I read some real newspaper reviews this novel received, including from the New York Sunday Review of Books, CLICK HERE to view.


Thanks for reading and seeing and coming ’round. VE


P.S. Oh, if, in case, who knows, if you’re not the proud owner of your very own copy, CLICK HERE TO HAVE A CLOSER LOOK, read excerpts, hear audio excerpts, and links to Amazon where the book is available as print and via Kindle….

STORY – “I KILL SLUGS” – short-short flash-fiction

Friday, July 9th, 2010

I kill slugs. At night, in the beginning, I placed little bowls of beer embedded in the earth to tempt them to come, like wary animals arriving to sip in the savannah during the depths of darkness. But like unreconstructed AA members, they could not resist as they came to sip, and then sip some more, then more still, until they waded right in, and literally drown in their beer. Next morning, the little pools of beer held a number of floating and semi-sunk oblong corpses.


Snails, too, a couple of them were in there. Not a one of them could hold their liquor.


Still every morning I see my salad gets munched, holes appearing in the leaves. So another plan is formed, more sinister, more immediate. I waited until midnight approached to go hunting. I got my flashlight out but found it held dead batteries, damn, went around the house unloading batteries from remotes and cameras and suchlike discovering I had a house full of half-dead or utterly dead batteries. The flashlight kept its single eye closed. So I got a candle, lit it, not enough power, then a second candle, lit them both, and went into the night.


When I held the candles up to view the immediate territory, weird bendy shadows were cast over the land. But they were there. A transient city of snails and slugs, poking along slimeily, seeking their midnight snacks. I had filled a can deep with water and put it down near my feet. With carefully gloved hand I picked them from the ground, plucked them from the plants, one by one, and plopped them into my bucket to drown, and kept culling, and they kept acoming.


After a bit of capturing and tossing them into my mini-well, I had a look to see how many I had taken care of. Six or eight or an army of them were crawling up back to the rim, wanting life, or more free food. I pulled back three inches, as though under a surprise mini-attack. Naively, had I thought they’d just drown if there was enough water. I lowered a single finger into this world and pushed each one back down and each one was no match for my finger and fell with a tiny splash and a bob but still, still they still came up, crawling back with a zombie’s determination. This midnight raid was turning into something like night the living fucking dead.


So I put a second thought into the matter and and dumped in a dash of chlorine, swished it around in the water, then again poked those slime-balls back in. Again they went plop into the water but this time they curled and met their maker. Each released a little bit of distressed foam.


Pick ‘n’ plop was the main movement and sound thereafter out there in the garden when reasonable men were asleep. I tried pouring some salt on a couple of them and saw their innards sort of catch fire as some different but more raging sort of foam came bubbling up from under their bodies, their inner fluids flushing out.


I killed many during the next three midnights, decimating the local population. Then the following four nights there were no attacks on my small vegetable patch. The lettuce leafs thrived. No nibbles. One never foolishly declares victory in such matters, but the lettuce began to believe in themselves again. Courgette plants spread their leafy wings. Rhubarb went rhubbarbing.


But for those three nights running, with candles and evil intent, I sought and killed slugs and snails which dared assail with mucus mouths my struggling salads. Those nights were like my own little intense slasher-horror film out there in the dead of night. The foam and the bubbling. The single sound of a snail plopping into chlorinated water, that midnight plop a full one-note sound, masking the terminal.

STORY – Flowers and Thieves

Friday, July 2nd, 2010

People have been trying to steal the flower box outside my house.


There used to be a flower box set outside my window ledge facing the street where pedestrians pass. It was long and it was full of pretty things. Indeed, the point was to pretty up the neighborhood. But some passing people would pluck out the flowers, roots and all for, one imagines, their own home use, leaving gaping holes. I replanted the missing flowers with just basic leafy greenery reducing the plucking thievery, making it, one would think, no longer such an attractive steal. But someone was not happy with this solution. One deep night someone or a couple of someones pulled the flower box off the ledge and it free fell to the sidewalk where it fractured, splitting in half. It was discovered the next morning, dirt spread across the pavement, people stepping over it like some new obstruction that’s none of their business. So one cleans up and disposes but does not give up, damn it. One puts out a pentagon cement box full of tight smiling flowers right on the sidewalk, right next to the front door, insisting on bringing a little damn cheer to this damn neighborhood. Still, still, unknown people pluck at it, as though trying out pick-pocketing skills on the inert and attractive. So, sinking to their level, getting crafty, I planted some wall-aimed though hidden sticks usually used for skewering meat, deep in the ground, sharp points behind the leaves, so when an evil hand reaches in to thieve a plant by its roots, they get their greedy little fingers and/or palms jabbed. As a result, becoming frustrated and lightly wounded, they now kick at the cement box by my front door, jarring it out of its snug place. Every morning I put it back in its place, defiant, determined. They leave coke cans in it. Sometimes cigarette butts. Plastic wrappers. Last week someone laid a steel portion of a shower pole across it. Some foolish one actually tried to take the whole heavy flower container last week. But it had been tied to a steal horseshoe shaped shoe scraper embedded near the front door, left from the days when this city street was part of the outlying fields (I don’t live on rue de l’Agriculture for nothing). But when these determined plant robbers lifted it, the two wires encircling the box held it secure, so they could only get it off a ground a tiny bit. They must have jerked at it, hoping brute ignorance would help, and it wouldn’t give because I’m smarter and so it slipped from their grip (or they just gave up) and it fell to the sidewalk, yet, a sturdy construction, it did not crack and smash. It was left right in the middle of the sidewalk as the unsuccessful thieves drifted back into their empty-handed night.


Yesterday, someone tied across my front door some plastic police tape that had “Police” stamped repeatedly in black on yellow, the kind of official narrow strip found at crime scenes or accidents, to seal off the area from a curious public. It was tied at a slant right across the bars protecting the window of the front door, with some excess tape stuffed firmly in the keyhole, blocking my ability to lock or unlock my door to the world outside.


The flowers now look nervously up and down the street to see who or what might be coming next. A sensation of paranoia has begun seeping in from the flowers outside to the life within. The next assault is awaited….

AUDIO–Don’t Call Me Fluffy: Interview with a Cat

Monday, June 28th, 2010




Just a little while ago I wrote and posted a short-short story (read HERE) about a cat complaining about human behavour towards his person.


It has been one of the more popular stories that I’ve posted. So I thought I’d start recording and posting some of my favorites and reader favorites from the “Noses in the House” stories.


And we’re starting with pissed-off Fluffy: Listen (and/or download) here: Don’t Call Me Fluffy!


It’s less than four minutes.


Enjoy and thanks for dropping by. Don’t forget to leave a comment below!
Vincent